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Archived posts: June 2016

Under the Same Sun: Art from Latin America Today

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Yesterday we popped over to the wonderful South London Gallery in Camberwell to check out the preview of their latest show: Under the Same Sun: Art from Latin America Today.

The exhibition is the first from the gallery to be shown across two sites: their main building, and their new space just across the road, the former Peckham Road Fire Station.

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The show brings together highlights from the Guggenheim’s collection of recently acquired Latin American art, including installation, painting, performance, photography, sculpture and video.

Here are just a few of those:

Over in the Fire Station, Jonathas de Adrade’s piece, Posters for the Museum of the Man of the Northeast (below) features 77 fake posters advertising the real Museum of the Northeastern Man in Recife, Brazil. Viewers are invited to move the posters around – effectively to rehang the room. Go on, unleash your internal curator.

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Rivane Neuenschwander’s piece Mapa-Múndi/BR, below, invites viewers to select a postcard and send it to someone. Each of the postcards shows somewhere in Brazil that is named after somewhere not in Brazil: bars, churches and stores with names like Alaska, Baghdad, China and Las Vegas (a motel).

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Back in the main gallery, Amalia Pica’s piece A ∩ B ∩ C features large primary coloured acrylic shapes stacked against the gallery walls, which are presented in a performance piece each week (Saturdays at 1pm).

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The catalogue blurb for the piece says that the shapes: “refer to 1970s Argentina. During this period, set theory was forbidden from being taught in elementary classes, in response to a concern that it might ultimately prompt citizens to conspire against the military junta. In A ∩ B ∩ C, Pica invites performers to manipulate translucent colored shapes, producing new configurations that, emancipated from the historical anecdote, use abstraction and intersection as an invitation to reimagine forms of collaboration and community.”

So essentially these are rebellious Venn diagrams made real.

The show was previously on at the Guggenheim in NYC, and at the Museo Jumex in Mexico City. It’s part of the Guggenheim UBS MAP Global Art Initiative, which supports contemporary art and artists from three regions – South & Southeast Asia, Latin America, and the Middle East & North Africa — through acquisitions, curatorial residencies, exhibitions, and educational programmes.

The show alone is worth a visit, but there’s the extra incentive of getting to take a look at the gallery’s new site, the Grade II listed former Peckham Road Fire Station.

It’s just a few doors down from the main gallery, across the road next to the current fire station. Donated to the gallery by an anonymous benefactor, only the ground floor is currently open, and it’s only open for the duration of this show, before a full refit begins ahead of the re-opening in 2018. So it’s worth getting in there for a look while you can.

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The show opens tomorrow, and runs until 4 September 2016.

Give a beep

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Our creative director Alistair recently signed up to take part in London Cycling Campaign’s interesting Give a *beep* initiative.

LCC have teamed up with the Swedish company Hövding (who make the airbags for cyclists) to create the initiative.

The project uses flic buttons: wireless smart buttons which hook up to iOS or Android devices. You can assign up to three different actions to the button at any given time (using a single click, a double click, or by holding the button down) via the flic app available on the App store, or on Google Play. Those actions could be setting off an alarm on your phone so that you can find it when it’s lost, triggering the camera on your phone, or playing some music. Some of those actions are pre-designed by developers such as Spotify or Google, but you can set up your own too using IFTTT (If this, then that).

Here’s the button Alistair was sent:

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For the Give a *beep* initiative, 500 of the flic buttons were given out free to cyclists in London (you can still buy your own from the flic shop though). Those cyclists were asked to assign the Give a *beep* action to their buttons via the app, and to then stick them on their bikes. Here’s Alistair’s in place:

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The idea is that cyclists press the buttons, or *beep*, when ‘they’re cycling and feel at risk; whether from high traffic speeds or volume, or a poorly designed road layout.’

The locations of those beeps are then logged, slowly building up a map of the danger spots throughout London where cyclists regularly feel most at risk. Here’s how the map of the centre of town looks after the initiative has been running for just a couple of days:

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You can also set the button to send an email to the mayor’s office, though Alistair didn’t do that, feeling just a tad hesitant about giving up control of his email account to an app.

It’s a great use of location based data, and the button is a dead smart way of allowing that data to be recorded really simply while on the move. We’ve been wondering if there might be further uses for the same tech / cycle combo – perhaps logging potholes in winter? Or perhaps in a positive way, recording places where cyclists feel particularly safe, where new cycling infrastructure has really helped?