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Archived posts: Bikes

Lorry Blind Spots

This is great. Direct marketing of the very best kind. Transport for London have been blitzing bikes in town with these flyers, which slot onto your handlebars. They’re printed in a single colour, which is nice and economical, and the stock’s been coated so that they don’t go soggy if it rains before you return to your bike. And the call to action is dead simple: “Use this lorry and your webcam to see the blind spots come to life in 3D at tfl.gov.uk/seetheblindspot“.

When you hold the flyer up to your webcam (you can print your own flyer out on the site if you don’t have one already), it kicks in with a spot of augmented reality, showing a lorry on your screen, which is surrounded by bikes that sit in the lorry’s blind spots. You can rotate the flyer / lorry to see the blind spots to both the front and back of the lorry. And at the same time, the key message scrolls onto the side of the lorry. And the wheels turn too!

Good work TFL.

On yer Barclays bike

So, the much heralded Cycle Hire Scheme bikes have finally docked, and the city’s streets were awash this morning with bloggers, journalists and twitterers (and a few actual commuters) giving them the once over. The general consensus seems to be that they’re well built and easy to ride; that there have been some inevitable teething troubles with the docking stations; and that the absence of a lock and a proper basket is a mistake.

Over at The Guardian, Justin McGuirk has accused the city’s mayor, Boris Johnson, of selling out by allowing Barclays to plaster their branding all over the bikes, as well as all over the Cycle Superhighways, the first of which have also just launched.

Our first thought was, woah, yep, the bikes suffer from having a corporate brand all over them, making them feel like some sort of private company bike fleet rather than actual public transport. How much more elegant would it be if they were simply branded as London Bikes?

They feel like yet another part of the incessant corporatisation of our city, joining the O2 Brixton Academy, the HMV Hammersmith Apollo, Arsenal’s Emirates Stadium and so on. We get that companies want maximum exposure for their sponsorship dollar… but a little subtlety and humility could go a very long way.

On the other hand, this scheme wouldn’t exist without external funding. And there’s a clean uniformity to having a single sponsor on the bikes, which isn’t a bad thing. Imagine each of them with a different advert screaming for your attention. Heck, look at our other forms of transport: the ‘iconic’ red London bus is pretty much a mobile advertising hoarding, as are most black cabs. And tube trains, though refreshingly minimal on the exterior, are bedecked with adverts on the interior, and travel round a underground system that is saturated with even more advertising.

Besides which, the Barclays brand will only stand out quite so starkly for a brief time – give it a few weeks and those frames and mudguards will have been treated to all manner of stickers and stencils.

We do think the front panels (above) are a step too far though. They feature the Barclays logo locked up with the new Cycle Hire roundel, which now joins TFL’s suite of other public transport roundels (below), but uses the official Barclays blue (100% Cyan as far as we can tell). Letting Barclays get their hands on that means they ‘own’ not just the bikes, but part of the city’s transport infrastructure, which is surely a step too far.

On the whole though, the Cycle Hire scheme feels like a very good thing, and it’s going to be interesting to see how it merges into the rest of the city’s moving parts. And we very much like the new information posts (part of the growing Legible London scheme) that accompany each docking station, and feature detailed maps of the local area.

The Cycle Superhighways are an entirely different kettle of fish though. A Superhighway – it sounds like a vast and gloriously uncluttered artery, whisking cyclists through London, unfettered by the fear of becoming roadkill under the wheels of a huge truck. The reality is so very different – it’s some blue paint. Yes, a few tricky road junctions have been altered, but basically, it’s just some blue paint. And more importantly, some blue paint that means nothing. Absolutely nothing. No new rules have been made to say that other vehicles aren’t allowed to drive on it. So as a cyclist, you feel like it’s your space, but none of the other road users really give a damn. It’s going to lead to a whole heap of full and frank discussions at the roadside…

In his article, McGuirk complains that the lane is painted Barclays blue, which means they’ve bought up the very land beneath our feet. But realistically, it was one of the few primary colours left that hadn’t already been used, and refreshingly, there’s very little sign of the Barclays branding on the roads themselves. Even the scheme’s branding (below left), which features the Barclays logo on leaflets and suchlike, appears untarnished on the information posts (below right).

With the Superhighways, we can’t help but feel that it’s a prime case of mismanaging expectations. It’s right up there with the woefully underwhelming River of Fire which we were promised along the Thames on the eve of the new Millennium. The crowds packed the banks of the river that night, full of wide eyed anticipation. They were rewarded with a few fireworks on a barge. If the Superhighways hadn’t been oversold with such a grand name, then perhaps we wouldn’t feel like we’d been given such a damp squib…

The Ride Journal: Issue Four

The latest issue of the delicious cycling journal The Ride (No. 4) launched last week at Look Mum, No Hands!

We’ve been gently wheeling our way through it since then, and it’s the usual brilliant mix of engaging stories and beautiful illustrations, from a whole range of bike folk. It’s not showing up on their website at the time of writing, but you can pick it up from Magma in the meantime as well as a whole bunch of other places.

Rapha London Pop-up store

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Oh, now this is pretty damn fine. The folks at Rapha, home of utterly delicious and exquisitely detailed (not to mention wildly expensive) cycling clothing, are opening up a pop-up store, at 146-148 Clerkenwell Road, which is more or less directly below our studio. Woop!

The Rapha Cycle Club is open from Saturday 8 May until Saturday 31 July.

The Ride Journal Issue 3

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The third issue of The Ride Journal has just come out, and as with the previous two issues, it's a sumptuous mix of insightful and deeply personal writing, stunning photography, and fantastic illustrations.

Alistair's feeling dead chuffed, as they've included a piece he wrote about the all-night bike ride called the Dunwich Dynamo, featuring some stunning photos by Joe McGorty.

Pick up a copy online.

116 to Sea

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Back in July Alistair took part in the Dunwich Dynamo, the fantastic annual 116 mile all-night bike ride from London to the Suffolk coast, starting at London Fields around 8pm, and ending on the beach at Dunwich in the early hours of the following morning.

Alistair has written up his experience of the trip for the third issue of gorgeous cycling magazine The Ride Journal, to accompany a beautiful series of images by photographer Joe McGorty

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Here's an excerpt from the piece:

"Almost imperceptibly though, the group began to stir. Helmets were tightened. Route sheets pocketed. Watches checked. Clusters of riders rose to pick up their bikes, transforming into a loose pack with a single fixed purpose: to ride right through the night.

As the pinks and reds of a setting sun gave way to the deeper hues of night, we gently paced our way out of the tight bright urban sprawl into the space and calm of the countryside. Up ahead, the column of cyclists formed a shifting string of blinking red lights, stretched out along the road, twisting lithely like a living organism next to the stationary lights of the queuing traffic. It was a fantastic sight."

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To celebrate the launch of the third issue of the magazine, Joe and The Ride Journal, in collaboration with Exhibit X, are hosting 116 to Sea, an exhibition of the photographs at the Pebbledash Gallery in Stoke Newington, running from 7 – 13 November, with a private view on Friday 6 November.

(For more pics of the ride, check out Alistair's pics on his Dunwich Flickr set.)

LDF09: Lost Values

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We trekked across London on Friday and Saturday checking out various bits and bobs at the London Design Festival: we'll post a few highlights on here in the coming days, and thought we'd kick off with our favourite find at 100% Design. 

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Lost Values, the brainchild of creative director Elena Corchero, was showing as part of Jorg & Olif's Bike Feature. Ditching the standard lycra/tech feeling of most cycling garms, the lovely Lost Values team had created the Reflective Lace range, a selection of hand-woven high-visibility products for cyclists. Under standard lighting conditions the clothes look completely normal, but hit them with some car headlights (or a flashgun), and the reflective threads leap out at you. Check it out with the shoelaces in the two shots below, where the one on the left is shot without flash, and the one on the right with flash.

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Lost Values picked up a Blueprint Best Use of Materials award for their work, richly deserved, particularly considering the focus they're placing on ethical and local manufacture. We particularly loved the scarf they'd created, and can't wait for their stuff to be available on the high street – we can imagine them hooking up with the likes of Howies, Swrve or Rapha to do some really interesting stuff.

The Ride

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Regular readers will know that we've got a soft spot for all things bike-related here at We Made This, so we were particularly excited to pick up a copy of the second issue of The Ride Journal earlier this week.

And heck, it's just wonderful. The design, art directed by Andrew Diprose, is elegantly understated, mostly consisting of spreads with a single full bleed image on the left hand page, and an accompanying text piece on the facing page. These are then interspersed with occasional longer photographic essays – the illustrations and photography throughout are all really stunning.

It's a wonderfully intimate read, and an eclectic mix of all manner of two-wheeled goodness.

Issue 2 is out now, available from Condor Cycles and Magma in London, or online from the Ride website.

The Cycle Maintenance Handbook

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Alistair was back in the Isle of Wight this weekend (you probably went when you were a child – everyone does) for the Randonnee, a round-the-island cycle ride, and nipped into what is rapidly becoming a very-favourite-shop-of-all-time, Wight Elephant. It's a bric-a-brac shop, but one that brims with goodness of every kind.

He picked up a copy of the Raleigh Cycle Maintenance Handbook there, which is a pure delight, printed in black and a couple of delicious spot colours, with sections such as "Nature from a Cycle" (spot a weasel, or an otter leaving the water, or even a badger); "Safety Hints" (Never rely on the 'other man' to do the right thing – he may not); "Touring by Lake, Hill or Sea"; as well as a page to record your expenditure on spares and repairs. Gorgeous.

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Check out some more pictures over at Alistair's Flickr Ephemera set.

Wheels on reels

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The 7th Annual Bicycle Film Festival rides into London next Wednesday (17 October) for five days of, well, bikes and films.

There’s a stack of movies being shown, including the Saftey in Numbers documentary (7pm Thursday), about the Fireflies team who ride across the alps each year in aid of leukaemia charity Leuka. Check out the PDF of the full program here.

We’re particularly looking forward to the Joy Ride art show inspired by the bicycle, including bits by Michel Gondry, DAZE and D*Face.

Expect lots of overgrown kids on fixies, particularly at the Bike Polo championship on the Sunday.