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Archived posts: Illustration

Joe Dunthorne on Le Gun

~ While Alistair is away cycling the length of Great Britain, we’ve invited twenty disgustingly talented people to each write a post for our blog. Today’s post is from the wonderful writer Joe Dunthorne – his award-winning novel Submarine was recently made into a fantastic movie, and his new novel Wild Abandon has just been published. ~

I’m a fan of the East London art collective, Le Gun. I’m always impressed by the way that, despite using the work of many different artists and illustrators, they manage to keep a unified tone. Their tone is morbid but witty, like the grim reaper wearing clogs.

Here’s an amazing stain-glass window by one of the collective, Neal Fox, of J.G.Ballard:

And here’s an illustration by Zoe Taylor called Swimmer:

In fact, it was at one of Le Gun’s shows that, for the first time in my life, I decided to pay actual money to own some original art. I’m glad I did. I bought this lovely illustration by Zoe Taylor:

And I bought this, upside down cat, who now watches over all who enter my lounge. Like some great, heartless, hungry, Egyptian God, she silently judges us while we eat dinner:

 

~ Alistair is raising money for Cancer Research UK during his ride – please wander over to his Just Giving page and donate a little cash. ~

Catherine Dixon on José Luiz Benicio da Fonseca

~ While Alistair is away cycling the length of Great Britain, we’ve invited twenty disgustingly talented people to each write a post for our blog. Today’s post is from the very lovely Catherine Dixon: a graphic designer, writer, and teacher, who’s currently working in Brazil. ~

The Brazilian illustrator José Luiz Benicio da Fonseca, or simply Benicio, would be speaking in Rio while I was there. All I knew was his reputation, a career spanning some 60 years, and a sense of the fond regard that many I was working with in the design community in Brazil held him in. So I thought that I should probably go.

Talks from the ‘old guys’ can be great – insightful, funny (charm being one of the most underrated essential skills of the graphic designer) and generous. And so it was on this occasion. Not that Benicio is just filling in his retirement days remininiscing. Now 75 years old he is still working, and so the evening was as much grounded in discussion of present illustration practice as that of the past.

He is a ‘pro’. And he is also prolific. His working output includes some 300 film posters, countless magazine covers, illustrations for books across the market from adult to children’s books and from fiction to non-fiction, along with a great many advertising campaigns and even architectural illustration.

Though the scope of his commissioned work is diverse it is rendered with an incredible consistency due to his unswerving fidelity to the use of gouache. The rich projections of jewel-coloured pieces of artwork showed time and again his old-school mastery of the medium. Clues to the age of the illustrations lay only in the context of use, the shifting fashions of magazine cover layout or the inclusion of digital accessories on the models.

Here’s the title page from Foi Expulso – it’s not often that the cover designer’s name is set at the same type size as the author!

His most famous works are undoubtedly his illustrated pin-ups. From the 1960s he worked for twenty years for the publisher Monterrey on covers for their ‘pocket books’ – cheap populist fiction titles featuring cowboy heroes, detectives, crime, sex and spies. For them alone he created almost 3000 covers, at times producing up to 22 covers a month in addition to other client work. He described how at a stretch he could produce 4 covers a day, albeit simple ones. This is in part due to his method of drawing from the huge visual library of photography he has built up, stock poses and so on that he can refer to and very quickly begin to build the image needed to match the title synopsis. Though he was careful to articulate the role of ‘design’ in this illustration process, showing how he would edit back from his references and then elaborate on them in order to tell a very particular story.

Of these titles the most outstanding are generally acknowledged as those for collection ZZ7 featuring perhaps his most iconic character Brigitte Montfort. This work is in many ways deeply unfashionable, though the audience for the talk spanned the generations with many young design students and enthusiasts in the mix. The work is also about as politically incorrect as it gets – poor Brigitte often being in want of some clothes. Yet the audience and discussion afterwards reflected the strength of popularity of Benicio’s work to a female audience too.

And I find I am also won over. Their irrelevance to me as potential reading material and trashy associations had previously rendered the graphic design of these books invisible. To hear Benicio speak was then something of a visual wake-up call. His jobbing professionalism, the strength of the visual story-telling, the drama (or melodrama) of the covers, the exquisite technique were actually all quite stunning. Get me to a second-hand bookshop in Rio now!

[Benicio was speaking as part of Ciclo Mandacaru de Oficinas de Ilustração at Caixa Cultural Rio de Janeiro – a week of workshops and talks about illustration. Photographs courtesy of Ana Paula Mendes.]

 

~ Alistair is raising money for Cancer Research UK during his ride – please wander over to his Just Giving page and donate a little cash. ~

Mind Over Matter

Kemistry Gallery is fast becoming London’s best place to see classic graphic design work, and their new show looks set to cement that reputation.

Opening on 25 August, Mind Over Matter celebrates the work of Alan Fletcher, and specifically the 10th anniversary of the publication of The Art of Looking Sideways, his seminal book on graphic design.

The show runs until 1 October.

British Isles Map

So this is rather lovely – a map of the British Isles created out of text that relates to its geographical location – so the Isle of Wight is illustrated with the word 1970, for the epic festival that occurred there in that year.

It’s by Angus McArthur & Alison Hardcastle, and you can pick it up from Theo.

Central Saint Martins pop-up shop

Kate Goodridge, a second year student on Central Saint Martins BA Graphic Design course has been in touch to let us know that they’re running a pop-up shop next week at the City Arts & Music Project, selling a mix of limited edition, bespoke and handmade items. The show is part of their Off Sight exhibition, created for their campaign (which we recently posted about) to keep the printmaking facilities on site when the college moves to Kings Cross later in the year.

The pop-up shop runs from Wednesday 8 to Friday 10 June, and the main exhibition until Tuesday 21 June. All the profits go towards their final year show – it’s a good cause, but more importantly, you might find some great work from an as-yet undiscovered talent…

Lovely flyer too.

Varoom!

Earlier this week the good folks over at the Association of Illustrators sent us the latest issue of their magazine, Varoom!

We’d not had a chance to check it out before, and were pleasantly surprised – we were worried it would be too intensely focused on illustration, with not enough to engage a wider audience – but it’s actually a really engaging mix of articles, designed in a clean and unfussy style (by the always brilliant Fernando Gutierrez).

This latest issue features articles about the new Vladimir Nabokov books which Pentagram have designed for Penguin, Des McCannon looking at the prejudices against image based learning in British schools, and an illustrated tutorial from Airside, showing how to make How To… films (above); as well as a whole bunch of other bits and bobs.

Good stuff.

Pick Me Up 2011

We’re a bit late getting to this, but this morning we nipped along to the Pick Me Up show, currently on at Somerset House.

The show features work by a host of graphic designers and illustrators, and is part exhibition, part shop, part gallery, part performance space.

This year’s artist in residence is Anthony Burrill, who has a room dedicated to his work (above, and below). Incidentally, the show itself is designed by Michael Marriott, who also worked with Burrill on his recent show at the Biscuit Building.

Screenprinting cooperative Print Club London have also set up a studio space at the show, and have a range of limited edition prints on sale for £150 each.

We particularly liked the room set up by Evening Tweed (a “design collective of sorts”) consisting of the very talented Jez BurrowsOwen Gildersleeve, Sarah King, Tom Rowe, and Thomas Forsyth. We chatted to Owen about the show, and he said that it was a really great opportunity to exhibit work to an audience who wouldn’t otherwise get to see it, which seems like a good thing- though to our mind Somerset House still feels just a bit too dainty for this sort of event. (It’d be great to see a show like this as part of the London Design Festival too.)

Downstairs at the show the gang at It’s Nice That had set up a live drawing studio, where we caught up with Tom Gauld, who (naturally) was busy drawing robots.

The show is only on until Sunday (27 March), so if you want to check it out, better get your skates on.

Joy of Living

Max Fraser’s brilliant and inspiring Joy of Living exhibition for Maggie’s Cancer Caring Centres opens at Somerset House on Tuesday 15 March.

The exhibition features specially commissioned work by over 100 designers, each working on a canvas of a single sheet of A4 graph paper, and responding to the theme ‘The joy of living’. The list of folks involved includes: Tord Boontje, Daniel Eatock, Michael Marriott, John Pawson, Troika and a host of others (you might even spot something by our very own Alistair Hall). About half of the artworks created are already available to view on the Joy of Living site.

The works are being sold anonymously at the show, at the price of £250 each, whether they’re by a household name or a rising star – the name of the designer only being revealed after purchase. All the proceeds are going to Maggie’s.

If you can’t make it along to the show, you can still donate at the Joy of Living JustGiving page. You can also follow events on Facebook and Twitter.

Drawing Fashion at the Design Museum

We nipped across to the Design Museum over the weekend to check out the Brit Insurance Designs of the Year show that’s just opened there. We weren’t overly impressed with the show to be honest – it’s a bit of a mish-mash of work, organised into rather arbitrary categories for the exhibition (‘Learn’, ‘Home’ etc.) rather than the actual categories in which the work has been nominated (Architecture, Product, Graphics etc.).

Fortunately, while we were we caught the Drawing Fashion show on the floor just below, and it’s just brilliant. It features a fine array of 20th and 21st century fashion illustration, most notably from Rene Gruau (above), Francois Berthoud (below top) and Mats Gustafson (below bottom). The show has been beautifully designed by the folk at Carmody Groarke, with graphic design by A Practice for Everyday Life.

The Drawing Fashion show runs until 6 March, and Designs of the Year until 7 August.

(Oh, and we also popped in to the Saul Bass poster show that’s on at Kemistry Gallery – check out Johnson Banks for their review of that.)

Thursday – Matthias Hoegg

The good folks at File Magazine just got in touch to let us know that the short film Thursday, by recent RCA graduate* Matthias Hoegg, has been nominated for the Short Animation Award at this year’s Baftas.

Each bi-annual issue of File comes in two parts – a physical broadsheet style magazine, and a full-screen online player – as they themselves say, ‘it’s a magazine to watch and read’. The ‘watch’ part of the latest issue (No. 4) is online now, and features Hoegg’s beautiful seven minute film, ‘an everyday love story set in the not so distant future [which] sees blackbirds battling with technology, automatic palm readers and power cuts’.

Check it out.

*Interestingly, both the other nominated shorts are by RCA graduates (Michael Please and David Prosser) . Monopoly much?