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A design guide to Amsterdam

Amsterdam: Tulips, bikes, canals, dope, prostitutes in windows, lots more bikes. And heck, a wealth of simply fantastic design. 

We nipped over to the capital of the Netherlands this weekend to check out the city's design scene, and particularly to take a gander at Experimentadesign, the Lisbon based design festival that's taking place in Amsterdam for the first time this year. 

The festival kicked off on 18 September, and it runs through until 2 November – a fairly impressive six and a half weeks of design goodness. We checked out a few of the main shows: Droog's Urban Play, The Sunday Adventure Club, and Come to my place

Amsterdam_windowzoo 
Urban Play comes in two parts: the first part is an exhibition that showcases the work of a variety of artists and designers who are injecting a bit of fun back into the city. The selection of artists is great, and we particularly dug the work by Zurich's Windowzoo (above), and Montreal's Roadsworth (more on him in a later post). The show mainly uses short films to present each designer's work, which is good as far as it goes – it would have been brilliant to see more actual examples. But that's a minor grumble about a great show.

Amsterdam_sagmeister

The second part of the exhibition is a series of interventions alongside Amsterdam's IJ Riverfront by twelve designers, including Stefan Sagmeister. Unfortunately, his incredibly beautiful piece, Obesessions make my life worse and my work better, made of 300,000 eurocent coins, got cleaned away within hours of being created, by a rather overzealous local police force (and a distinct lack of clear communication).

Amsterdam_sac

Back in town, the Sunday Adventure Club (above) is a wonderfully playful lo-fi exhibition, showcasing "citizens who through their personal passions have initiated activities in public space", carving out spaces for play in the dense urban landscape. We particularly like the take-away instruction sheets for creating all kinds of fun stuff, from Seed Bombs to Match Rockets.

Meanwhile, Come to my place is a great show that has invited designers from eight cities around the world to create room-sets filled which "exemplify the way in which the global citizen defines their individuality by making a personal choice from the vast resources of the design industry and the shop around the corner". Good stuff.

Away from Experimentadesign, we checked out a bunch of exhibitions and design stores. 

Amsterdam_vankreij

Unfortunately Amsterdam's home for modern art, the Stedelijk Museum, is closed at the moment, having left its temporary digs at the Post CS Building in anticipation of setting up home in its newly renovated original building at the end of 2009. In the meantime they've got a series of temporary shows happening as part of their Stedelijk in the City project (check the site for details); as well as regular shows at the Stedelijk Museum Bureau Amsterdam (SMBA). We checked out the latest show by Marijn Van Kreij, who creates brilliant hand rendered textual pieces (above).

We also stumbled across the Netherlands Media Art Institute, currently hosting a brilliant show Sonic Voices, Rocking Hard which features a variety of artists, film-makers and musicians working at the intersection of art, sound and music. We particularly liked the 3D version of Bjork's fantastic Wanderlust promo (long download but worth it) from Encyclopedia Pictura; and were blown away by Johan Renck's promo for The Knife's Pass This On (below). 

We also checked out a couple of photography shows. Over at the rather wonderful Foam (Fotografiemusuem Amsterdam) there were a selection of shows, including the incredible Hyena & Other Men series (below) from Pieter Hugo, which is running until 2 November. The images have been doing the rounds on the web, but seeing them full size is just incredible. They're stunningly beautiful.

Amsterdam_hugo

Just along the road from Foam you'll find Huis Marseille, Amsterdam's self-proclaimed first photography museum, currently showing Cy Twombly's dry prints (until 23 November).

Of course, it's not just about looking at lovely stuff, it's about taking it home too, and Amsterdam's packed full of delicious design stores.

Amsterdam_droog

We made our way first to the daddy of the bunch, the Droog store, which features a range of limited edition pieces (like the Crystal Virus from Pieke Bergmans, above), as well as a bunch of more affordable but equally imaginative products. 

But, we were far more impressed by the simply wonderful Frozen Fountain, which is just dripping with every manner of design loveliness, including the Zeppelin chandelier from Flos (below). It's our new favourite shop.

Amsterdam_ffountain 
We also loved the Nijhof & Lee bookstore (a bit like the UK's Magma, but with more old books); Wonderwood, which stocks, well, furniture made of wood; and the lovely De Weldaad, which is packed with antiques and "architectural artefacts". They even had a bottle-drying rack (below), just like the one what Duchamp made famous.

Amsterdam_weldaad

For the fashionistas, there's a wealth of second-hand clothing stores, or if you're looking for something a little more contemporary, check out Concrete and SPRMRKT, both achingly hip. 

You can check out all of Alistair's shots from the trip on his Amsterdam Flickr set, and we've put a Google Map with all of this stuff on, and more besides. We used the Time Out Shortlist Amsterdam and also the fabulous guide created by Danielle de Lange at The Style Files.
(And if all that's given you a spot of wanderlust, you can also check out our guides to Paris and Newcastle.)

Cold War Modern at the V&A

Coldwarmodern

As we mentioned in the previous postCold War Modern is the new show at the V&A.

And it's a corker.

The show looks at the decades after the Second World War, when the two super powers were locked in a constant battle of one-upmanship. Not content with just having bigger and better missiles, they tried to outdo each other in every area – leading to an explosion of fantastic art and design. As the blurb from the show points out "Modern life after 1945 seemed to promise both utopia and catastrophe".

The major strength of the exhibition is its sheer breadth. It pulls in Dieter Rams's beautiful designs for Braun (which still exert a powerful influence on the some modern day classics); paintings by Gerhard Richter, Robert Rauschenberg and Richard Hamilton; Archigram's Walking Cities; Otl Aicher's lecture posters; as well as bits from Eames, Corbusier, and Buckminster Fuller. Deeply brilliant.

The show runs until 11 January, but heck, why wait?

Pictures © V&A Images

Design Event ’08 Preview

De_event


Hot on the heels of the gargantuan (and slightly overwhelming) London Design Festival comes the far more intimate and friendly northern version, Design Event, which gets busy from 9 to 26 October 2008.

We nipped up there this summer to get a feel for the city, and had a grand old time – read all about it on our Design Guide to Newcastle.

The full line up for the festival has just been released. Helpfully, Newcastle is the perfect size for walking round, and you can wander from show to show in minutes – so we thought we'd create a walking tour for your pleasure and perambulation.

This year's event is arranged around the theme of Northern Design, looking right across Northern Europe to see what's cooking from BALTIC to the Baltic states.
First up, there's a trio of shows at King's House, just near the station, all running from 10-25 October.

De_hidden

Hidden in Plain View is a group show from designers across Northern Europe, who've looked at the tradition of steganography (the art and science of writing hidden messages) which is apparently traditionally popular on Scandinavian postcards, and they've created their own selection of postcards for viewers to decipher.

Staying at King's House, the folks from If you could have put together a showcase of the latest raw design talent spilling out of Sunderland, Teeside and Northumbria Universities, exhibiting alongside some ex-students who've gone on to make it big. They're all confronting the question: If you could do anything in the North, what would it be?

And before you head on from there, you can check out Magnetic North, a show by Marcus Diamond from Neasden Control Centre.

De_eelus

Just up the short walk away you'll find the fantastic Electrik Sheep shop and gallery, which will be showing a stack of new work from Eelus (above). If you're up in that part of town already, the show opens on Thursday 2 October at 6pm.
De_stinapersson
Sticking with the illustration vibe, across toward the centre of town is the Tradition show from the Lobster Foundation, featuring work from ten of the bestest designers and illustrators kicking around in Scandinavia, including the ever wonderful Stina Persson (above).

Heading south from there, the Designed & Made Gallery is putting on show called MadeNorth, looking at cultural similarities and differences between Scandinavia and north-eastern England.

De_lightenup

Keep going south to catch the fantastic Lighten Up show from the folks at [re]design, fresh from its success at the 100% Design. There are some delicious bits in the collection, and they're exhibiting in the Tyne Bridge Tower, so it should be fantastic. And keep an eye out for more sustainable lighting cleverness from the folks at We Make, with their Beryl and Friends collection of lights popping up round town.

Ldf_speakerbuddies

Nip along the river past the Gateshead Millennium Bridge to Baltic, where you'll find the Design Event Mart, selling a vast selection of work from the brightest and the best of the local talent, including Alex Underwood's brilliant Speaker Buddies, fresh from their trip down to the London Design Festival (and yep, we've shown you them before, but come on, they're great!)

De_shrigley

And while you're there, check out the latest shows from David Shrigley and Steve McQueen, and catch the wonderful Yoshitomo Nara show before it closes on the 26th.

There are a bunch of other Design Event shows on, in Sunderland and County Durham, as well as a selection of great talks. If you want to keep up to date, just sign up for the Design Event E-bulletin.

London Design Festival ’08 review

Ldf_babysitter 

Jeepers it's busy in London lately. Seems you can't hardly turn a corner without tripping over some kind of cultural event that's as eager as a puppy to show you something brilliant and exciting. And leading the pack is the London Design Festival, now in its 6th year, and going from strength to strength. 

We knew we were only going to make it to a fraction of the 128 (or so) exhibitions, so decided to stick to the big guns: 100% Design (and its siblings, 100% Materials and 100% Futures) at Earls Court; Tent London over at the Truman Brewery, and Designersblock, which was getting all fancy-pants this year in Covent Garden.

We scooted over to 100% Design first, which felt much groovier than normal – we reckon it might well have stolen some of the fun stuff away from the other shows. 

We totally loved the Squirrel Wall Lamps from Alex Randall at Jericho Hands. Alex explained that she'd teamed up with an ace taxidermist to create the lamps from actual dead squirrels, and pointed out that they had excellent environmental credentials as they're effectively recycled vermin. Which is nice. 

Ldf_squirrel 
We also got excited by Alex Underwood's Speaker Buddies, exhibited as part of a Northumbria University group show. They stand 50cm tall and are moulded from recycled expanded polystyrene. Deeply wonderful.
 
Ldf_speakerbuddies 
Over at Danish Craft's Mindcraft stand, we loved – no, actually, we adored – Louise Hindsgavl's Everyday Scenarios, a series of joyously warped porcelain figurines. Demented and delicious.
 
Ldf_everyday 
Meanwhile, over at the Craft Council's Ten: Wood stand, Carl Clerkin's Door Mouse Door Wedges caught our eye for their elegant simplicity and wit. 

Ldf_doormouse 
We also loved the latest show from the folks at [re]design, Lighten Up, which collected together some stunning lights and lamps, all with a focus on sustainability. We particularly loved Anna McConnell's gorgeous Non Standard Lamp. Anna takes existing lampstands and breathes new life into them by adding ball bearing hinges, rewiring them, and adding a weighted base for extra stability. Smart.
 
Ldf_nonstandard

Having walked eight (or nine?) miles up and down the aisles of Earl's Court, we jumped on a tube and made our way to Tent London. There was a fair amount to see there, but the one thing that really stood out for us was Andrew Ross's Bone Watch. It's still in a very experimental stage, but we think it's lush.
 
Ldf_boneproject 
Next up was Designersblock, once again in a fantastic location, No1 The Piazza at Covent Garden – lots of exposed brick and temporary scaffolding. And it was there that we found our pick of this year's show, the sublime Neo Monuments series (top and below) by Mikael Alacoque. Exhibited as part of Kith Kin's Pah-ah show, Mikael describes them as "a playfully sinister bastardization of familiar objects", which we reckon is spot on. We had to be physically restrained from stealing one for the studio. Utterly brilliant, and incredibly iconic. 

Ldf_babysitter_b 
Our final find at the show was Nosigner's Rebirth lamp, made out of real egg shells, and exhibited as part of the Seoul Young Designers Pavilion

Ldf_nosigner 
All in all, a pretty fine collection of work. (There are a few more pics from our wanderings over on Alistair's LDF 08 Flickr set.)

We'll just sign off by making one request – can the powers that be see if they can schedule Open House London and the LDF on different dates next year? There's only so much design goodness you can squeeze into a weekend…

Designs of the Year

Kiosk

The new Brit Insurance Designs of the Year show started last week at the Design Museum, taking over from where the old Designer of the Year show left off in 2006. We went along on Saturday to take a look, and we’ll tell you all about that in just a moment.

But first, a gentle rant.

The show is, as you can hardly have failed to notice, sponsored by Brit Insurance. They’ve stuck their name right in front of it. The awards that go with the show are sponsored by them too. They’re called the Brit Insurance Design Awards. And frankly, that’s just rubbish. Instead of being mutually beneficial, it’s mutually detrimental. It makes the Design Museum look cheap, happy to bend over, grab its ankles and get its elegantly shaped butt branded by its corporate master; and it makes Brit Insurance look greedy and egomaniacal. Instead of making the event and awards the most important thing, they’ve made their sponsorship the important thing. And that doesn’t make us like them much.

This is a grim trend that’s been happening wherever sponsorship occurs (Carling Academy anyone?). Don’t get us wrong, it’s a very good thing that corporate sponsorship exists. It makes stuff happen, in bigger and better ways than would otherwise be possible. But, please, let’s restore some sense of modesty, elegance and sophistication to the way it’s done. Wouldn’t the Designs of the Year show, as supported by Brit Insurance, sound far better? Patronage, not prostitution*.

Rant over.

The show itself is a great mix of work arranged by discipline: Architecture, Fashion, Furniture, Graphics, Interactive, Product and Transport. You might question some of the entries, but it’s a really valuable opportunity to see what’s being going on across the design spectrum in the past year. It’s also great to be able to play with some of the entries, including the Nintendo Wii, Toshio Iwai and Yu Nishibori’s TENORI-ON digital musical instrument, and Ross Phillips’ Replenishing Body Kiosk (pictured above, being used by some kids in a much looser way than intended).

In the graphics section, we were particularly pleased to see the Butt Book nominated – it’s a compendium of Butt Magazine (that link is not at all safe if you’re at work), designed by Jop van Bennekom, and we’ve noticed it being the ‘inspiration’ for rather a lot of work recently.

Winners in each section, and one overall winner, will be announced in March.

* The fact that Peter Saville’s “THIS IS NOT A BROTHEL THERE ARE NO PROSTITUTES AT THIS ADDRESS” sticker is one of the graphics entries feels deeply ironic.

We Made This Great Big Christmas Wish List (part 3)

Right, here’s the third and final part of our list of the Best Presents a Designer Could Hope For at Christmas. And just in case you want to send this on to someone, perhaps with a gentle nudge, we’ve created a page with the whole list on it – you’ll find it just here.

#13 A tasty print from Nelly Duff

Bunnyfingers

Nelly Duff is a gallery on Columbia Road, selling a fantastic range of prints from the likes of Eine, Shepard Fairey, Faile and Insect. We particularly like this one, Bunny Fingers, by Pure Evil. It’s spray painted by hand, and you’ll have to move fast if you want one, it’s a strictly limited edition of 20. £250 unframed.

#14 A typographic top from Veer

Veer_kern

We’ve got a bit of a soft spot for image and type library Veer. There’s something groovy about the way they do things, and their website just works really well. (Many of the other type foundries could take a tip or two…) They also sell a lot of great merchandise, including this little number. They call it a ‘lightweight jogging jacket’, we call it ‘a top’. And before you get too excited, this one’s for US citizens only, so if you don’t live stateside, you’ll have to find someone over there to get it for you. But come on, it’s a piece of clothing about kerning. You know you want it. $69.

#15 A Pantone mug

Pantonemugs

For people who know that using the PMS isn’t something that only women can do once a month. Which one would you go for: Red 186C, Pink 239C, Royal Blue 286C, Lime Green 388C, Pale Blue 549C, Lilac 2583C, Olive Green 5757C, Black 4C, Orange 012C, Process YellowC? Or heck, why get all hung up on making a choice, why not get the whole set? (Perfect for those Monday morning Work in Progress meetings.) And, we were just thinking, if you’ve got a client whose identity features any of these Pantone colours, they’d make a rather perfect present for them… like Royal Blue 286C for the Institute of Education? £7.99 each, or £79.99 for the whole set.

#16 Some recycled letters from RE

Recycledletters

You can’t really go wrong with 3D letterforms. These chunky ones are great (as long as you don’t want W, X and Z, which aren’t available). They’re made from recycled card, and stand 28cm high. £14 each.

#17 A stylish bit of tableware from People Will Always Need Plates

Brutplate

We’ve mentioned them before on here, but couldn’t help doing so again. We especially like their series of Brutalist concrete architecture plates, including this Barbican version. £25.

# 18 Friendship with the St Bride Library

Stbrides

Give a little back why don’t you? Become a Friend of the St Bride Library for one year, and you get newsletters and discount admission to their lectures and annual conference. You will also receive copies of Ultrabold, the Library‘s journal. All that for £30, and you’ll be helping to sustain the world’s foremost printing and graphic arts library. Good on you.

And that’s your lot – here’s hoping you have a fantastic Christmas.

Good Golly Miss Molly

Microphones

Well, if it isn’t just a huge weekend for getting a fix of furniture fun.

Having already posted about the Mid Century Modern show in Dulwich, we’ve just been sent the utterly delicious catalogue for the Modernism from a California collection auction at Christie’s on Sunday, and it’s a compendium of wonders.

How’s about an Eames RAR Rocking Chair? Or four photos of Eames chairs, estimated at the same price as one chair? Or five original De Stijl posters by William Sandberg for a Gerrit Rietveld exhibition? A collection of eighty luggage labels from the USA circa 1920? A Theo van Doesburg lithograph? A pair of Frank Gehry’s corrugated cardboard Wiggle chairs? Or perhaps a collection of twenty four microphones (pictured above)?

You know in the Simpsons when Homer tips his head back and drools if anyone mentions doughnuts? That’s us right now.

We Made This Great Big Christmas Wish List (part 1)

Are you fed up with getting drab and uninteresting presents at Christmas?

Not looking forward to unwrapping a series of tacky ‘novelty’ gifts once again this year?

Well, despair no more, for here is the We Made This Great Big Christmas Wish List (part 1 today, parts 2 and 3 later in the week). Simply point your nearest and dearest to these posts, and let them browse at will, safe in the knowledge that you’ll be getting something you really want this year.

Or, alternatively, just buy something for yourself. It is Christmas after all.

(And yep, we know it’s not even mid-November yet, but lots of this stuff is limited edition, so there’s no time for dawdling.)

#1. A print from Product of God

David_foldvari

Product of God is a fantastic online gallery selling limited edition prints by graphic designers and illustrators. This one is Bloodlines 1 by David Foldvari, in an edition of 75. £125.

#2. Grafitti Train from Suck UK

Suck_train

Go old school. A solid vinyl train that you customise with a stack of grafitti transfers. Kind of like an Airfix model. Only cooler. £25.

#3. Something tasty from Blanka

Bandlogotshirt

They do lots of lovely stuff here: books, posters, prints, tshirts, bags. We like their t-shirts by Counterfeit Outfit, including the band logo t-shirt above. £23.

#4. An original illustration by Tom Gauld at Cabanon Press

Tom_gauld

Tom Gauld is one of our favourite illustrators, and he’s currently selling a series of original illustrations created for the Guardian Review letters page, done in “black and white pen-and-a-little-tippex on paper”. They’re going for a song at £100 each.

#5. A typographic t-shirt from Artefacture

Designwillsavetheworld_2

We’re totally loving the t-shirts created by this American company. We’d go for their Design will save the world one. $28 plus $5 extra for international shipping.

#6. Something gorgeous from Thorsten van Elten

Littlejoseph

It’s a little sick, but totally brilliant. We first saw Maxim Velcovsky’s Little Joseph candle holder at the Designboom show at Designer’s Block, and you can now get it from the hottest product design store in town. £49.

Midcentury.Modern

Eames_lounger_2

The rather wonderful furniture market Midcentury.Modern is heading to South London once again.

If you’ve not been before, it’s a great place to browse and buy from a collection of furniture dealers, all showcasing their best bits of 50s, 60s and 70s furniture. You’ll find all the usual suspects, from Eames to Day, from Jacobsen to Panton. And on top of that, there’s a fine selection of contemporary British design on sale.

Hmm, maybe it’s time to pick up that Eames Lounge Chair and Ottoman you’ve been lusting after…

The show/sale is on Sunday 18 November 2007, at Dulwich College, Dulwich Common, SE21 7LD.

People will always need plates

Trafficplate

Our friends over at People will always need plates have freshened up their site with some lovely new bits and bobs. Perfect timing if you fancy ordering up some sublimely elegant Christmas gifts. (And who’s to say those gifts can’t be for yourself?)