Rando

Over the weekend we had a bit of a play with the new iPhone photo sharing app Rando, produced by digital design studio Ustwo as an exercise in “just fucking doing it” – getting something up and running in super quick time.

The app is a stripped back from of photosharing – when you take a shot, it is automatically cropped within a circle. You can’t edit your shot, can’t add any filters, can’t name it nor tag it. You can’t like anyone elses shots, can’t follow any users, can’t set up a profile.

If you’re happy with the picture you’ve taken, you upload it, and it is sent at random to one other user of the app. They aren’t told any information about you or the image, other than being shown roughly where it was taken (so they’ll know which city you’re in, but nothing more).

Once you’ve sent a shot, you are sent a shot from someone else in return – you give and you receive.

It’s a peculiar experience, and initially at least, oddly addictive. You keep hoping that the next shot that loads up will be something unexpected, or beautiful, or funny. Or a glimpse into a life entirely different from your own. And there’s a vague feeling that you should try to make your own shots as interesting as possible. Give something good and karma dictates that you’ll get something good in return.

From a creative point of view, the circular format is really refreshing, forcing you to depart from standard rectangular compositions.

Interestingly, given the voyeuristic / exhibitionist format, it so far doesn’t seem to have descended into an endless stream of porn. Perhaps the folks at ustwo are just policing it carefully for now.

Anyway. Sort of pointless. Sort of fun.

Museum of Broken Relationships

Alistair was out in Zagreb over the weekend, and stopped in at the fantastic Museum of Broken Relationships to have a look around.

The whole content of the museum is crowdsourced: broken-hearted lovers are invited to donate a personal object that represents their failed relationship. They’re also asked to write a short piece about the relationship – so effectively, it’s a museum of stories as much as one of ephemera. With so many different contributors, it could feel chaotic, but thanks to a minimalist design and some careful curatorial control, it works brilliantly.

The collection started life as a travelling exhibition, and it continues to tour the world (it’s currently in Boulder, Colorado) while the main collection stays in Zagreb. This adds a truly international aspect to the collected items.

What’s great is that it doesn’t demonise relationships, nor glorify them. Instead it presents them as complicated, frequently painful, but potentially wonderful; and gives ex-lovers a chance to do something creative with their heartache, as well as offering a sort of closure by providing a place for them to finally lay a relationship to rest.

If you’d like to donate, go here.

7 years old

The We Made This blog is seven years old today.

As a seven year old , we can be expected to “enjoy sharing knowledge with others… display a longer attention span… frequently ask adults and peers questions to satisfy their need to know”.

And also be able to “roll after landing from a jump” and “travel in rhythm to music”.

So, seems like there’s lots to look forward to in the coming year.

We can also be expected “to pout a lot” though.

Apologies in advance for that.

Suburban Stormtroopers

This is what Alistair was getting up to a couple of weekends ago. Because dressing up as Stormtroopers is fun. Photos by Angus Stewart, uniforms by Millennium Costumes.

The Story 2013

Last Friday we were lucky enough to go along to The Story 2013 – a rather wonderful little one-day conference about stories and storytelling organised by Matt Locke. The Ministry of Stories were doing a short presentation about their work, and a portion of the proceeds from the ticket sales went to the Ministry too.

Matt asked us to create a small gift to give away to all the delegates on behalf of Hoxton Street Monster Supplies, so we put together these pouches of Witches’ Brews:

“Featuring some of the very rarest ingredients, our Witches’ Brews deliver perfect potions every time. This classic blend includes Scale of Dragon, Wool of Bat, and Scraping of Lipstick; wonderfully enhanced with Roasted Toenails, Plucked Fairy Wings, and of course, Blackberry Leaves. For each brew, simply steep one bag in a cup of boiling water for about 5 minutes, while chanting the appropriate spell or incantation.”

The back of the packs featured the running order of the event:

(We’ll be producing the Witches’ Brews as a product for Hoxton Street Monster Supplies in the near future, so stay tuned.)

The conference itself was really fascinating, with many highlights.

It opened with the wonderful Edwyn Collins discussing his life after suffering a devastating stroke in 2005. He was chatting with director Ed Lovelace, who is putting together a documentary In your voice, in your heart, about Collins’ journey back after the stroke.

A bit later, Laura Dockrill exploded onto the stage to talk about her new book Darcy Burdock. Laura’s fantastic, and her reading from the book was electrifying.

After lunch, animator Ben Boucquelet spoke about the genesis of his totally brilliant TV show The Amazing World of Gumball, which airs on Cartoon Network. Based around a kid called Gumball Watterson (is that a nod to Bill Watterson, creator of Calvin & Hobbes?), and his family and friends, it’s a glorious mish-mash of animation styles, all anchored in really brilliant storytelling – heartfelt without collapsing into sentimentality.

“The Wattersons are a totally normal family. Dad is a big pink rabbit who stays at home while Mom works at the Rainbow factory. Their kids are pretty standard too: there’s Gumball, a blue cat with a giant head. Anais, a four-year-old genius bunny rabbit and Darwin, a pet goldfish who became part of the family when he sprouted legs.”

Around them live a host neighbours and schoolfriends, who include Anton, a crumbly piece of toast; Alan the balloon who’s in a doomed relationship with Carmen the cactus; Tina the T-Rex, who’s the school bully; and Banana Joe, the happy fool. Here are a couple of short clips:

If you’ve more time though, check out this episode, where Gumball’s dad gets a job, a situation which threatens the very existence of the universe:

Quite wonderful.

A bit later we were treated to more animated brilliance by Mikey Please, with his Bafta-winning short film, The Eagleman Stag:

Just brilliant.

Huge thanks to Matt for pulling together such a brilliant set of speakers. Already looking forward to next year.

Mummy!

She showed you how to tie your shoes. She showed you how to do your teeth. How to do your times tables. How to iron a shirt. She held your hand when you were feeling scared, and she mopped your brow when you were feeling ill. She listened to you, she laughed with you. She fed you, encouraged you, hugged you and held you.

Maybe send her a card?

Mother’s Day is Sunday 10 March (in the UK) – so how about you grab one of our Mummy! cards from Hoxton Street Monster Supplies? Beautifully printed from woodblock letters by the folks at New North Press, profits from the cards go to support the Ministry of Stories.

Poster Art 150

We dropped in to the London Transport Museum over the weekend to check out their truly fantastic new show, Poster Art 150.

Put on to celebrate the 150th birthday of the London Underground, the densely packed show is a collection of 150 of the best posters produced for the tube. It features a stack of brilliant designs from the big names in poster design, including Abram Games, Edward McKnight Kauffer, Frederick Charles Herrick, Tom Eckersley, Edward Bawden, Fougasse (above); as well as a few fine artists, including Man Ray and Howard Hodgkin.

The show is split into six thematic areas, which neatly sidesteps the possible problem that might have occurred had the exhibition been chronological – namely that the more recent designs just aren’t as good. Partly this is due to the rose-tinted nature of nostalgia, but it’s not just that – the earlier designs have an energy, simplicity and wit that seems to have faded away from most of the contemporary designs we see now on the tube. Hopefully this show might serve as an inspiration though, both to the commissioners at the tube, and also to designers.

And you know, it’s interesting to stop there and linger on that word ‘designers’.

It feels like most of the contemporary commissions on the underground are given over to fine artists rather than designers. Witness the Olympic and Paralympic Posters for London 2012, Mark Wallinger’s Labyrinth, and The Roundel: 100 Artists Remake a London icon – all commissioned through the Art on the Underground programme. Where are the commissions for designers? Surely a show like this demonstrates just how brilliant a tradition of design London Transport has – it’d be great to see them embracing that by commissioning more contemporary designers, rather than just fine artists.

Anyway, here are some of our picks from the exhibition:

‘A train every 90 seconds’, the first poster Abram Games designed for London Underground, in 1937.

‘Behind the seen’, one half of a pair poster by James Fitton from 1948.

‘The lure of the Underground’, by Alfred Leete (the chap behind the Britons: Lord Kitchener Wants You poster) from 1927. This is a glorious poster – a fantastic economy of line, with wonderful characterisation, as you can see in the detail below:

Austin Cooper’s poster advertising the V&A’s first major poster show in 1931, and depicting Mercury, the winged messenger of the gods.

One of the highlights of the show is the fantastic array of different and frequently bonkers typographic styles. Here are some lovely ligatures from Frederick Charles Herrick’s ‘The lap of luxury’ poster from 1925:

And two Os getting up close and personal in Charles Paine’s ‘Boat Race’ poster from 1921:

And Alan Rogers’ lovely styling of the word Underground from his 1930 ‘Speed Underground’ poster:

Tasty stuff.

‘For the Zoo’, from 1933, by Maurice A. Miles, one of many posters for London Zoo featured in the show.

‘Away from it all’ by M.E.M. Law in 1932 – has a tube train ever looked so dynamic?

And finally, ‘Cup final’ by Eric George Fraser in 1928, which puts you right in the heart of the action.

The show runs until 27 October, and is really outstanding – do get along if you can.

Towards a new iconography

Flickr’s new iPhone App

Well, it’s been a longtime coming, but Flickr have finally pulled a decent iPhone app out of the bag, and it’s looking Instagram square in the face.

It combines Flickr’s great sharing & viewing functionality with a fairly solid camera application (following hot on Twitter’s heels, using the SDK from the folks at Aviary).

It shoots at full iPhone size (2448 x 3264 pixels on the iPhone 5′s main camera, above; 960 x 1280 pixels on the front facing camera, below).

Before you take the shot, you can take a light reading from one place, and focus on another (drag your fingers apart on your phone’s screen to do that), set a background grid to straighten your shot, and zoom in (though that’s an artificial zoom, you’re really just cropping into the pixels).

Once you’ve taken your shot, before it’s saved, the app lets you play around with some admittedly rather arbitrarily named filters, as well as make various adjustments: cropping, brightness, contrast, saturation and sharpness. You can also add some very basic text, do some basic drawing, add brightness and fix blemishes. All of that while keeping the image at full size (though you can set it to be smaller in the settings if you want).

Once you’re done editing, you upload the image (it only saves to the camera roll at this point, which speeds things up, but can lead to you thinking you’ve saved a shot that you haven’t).

You can upload directly to Flickr of course, with all your tags in place, and send it to all the Groups and Sets you fancy at the same time. Rather neatly, at the same time as it loads to Flickr, you can send the image to Twitter (works well on the native app, but not at all on a third party app like TweetDeck) and Facebook (the images are hi-res, and dumped into a Flickr Photos album on your page).

Once you’ve finished shooting, you can do all the browsing you’d expect too – that’s Alistair’s Signs and lettering set below.

Good work Flickr.

God’s Own Junkyard

We nipped into Chris Bracey’s God’s Own Junkyard in Soho yesterday – what a treasure trove!

Bracey creates neon signage for fashion and film, and the exhibition / pop-up shop collects together a stunning mix of his work as well as some found signs, old movie props, and other bits and bobs. He started making signs in Soho back in the 70s (his work feels entirely at home on Beak Street) and he’s since worked with the likes of David Lachapelle and Martin Creed, Tim Burton and Stanley Kubrick. Not a bad client list.

God’s Own Junkyard is at Circus of Soho, 47 Beak St, London W1 until the end of January.