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Archived posts: Web

Hoxton Street Monster Supplies: now online

Ever since it opened its doors a year ago, customers have been clamouring for an online store for Hoxton Street Monster Supplies. And now, thanks to the brilliant work of a team of hugely talented volunteers, the online shop is alive.

And just in time, as we’ve recently created a whole new range of products for the shop*:

These tins of fear are perfect as a top-up for any monster who’s not feeling quite as scary as they should. As well as a batch of fear, each tin also contains an exclusive short story by a top children’s author, so they make rather good presents for kids.

The Night Sweats features a tale by Andy Stanton; The Chills a story by Jeremy Strong; Alarm has a story by Meg Rosoff; the Night Terrors tale is by Eoin Colfer; and Creeping Dread features a story by Charlie Higson.

The boxes of Cubed Earwax are ‘A true delight at any monster’s table’; but we’re more partial to the bars of Impacted Earwax.

The shop is also selling these jars of Daylight – perfect for vampires suffering from Seasonal Affective Disorder (SAD). You simply leave them out in the light during the day, and as soon as dusk falls, they light up. They also come in a Moonlight version for werewolves who don’t want to wait around all month for a full moon:

And just in case you have a really sweet tooth (or fang) there are a couple of new jars of sweets:

You can also pick up some of the original range of products, including T-shirts, Zombie Fresh Mints, Fang Floss, and of course, some of the books written by the kids at the Ministry of Stories, including the new Awfully Bad Guide to Monster Housekeeping.

The site was designed by Gavin and Jason Fox, built by Simon Pearson, project managed by Chris Meachin, user experienced by Mike Towber; and art directed by We Made This.

*Not all the products are available from the online store; and shipping is only available for UK addresses at the time of writing.

Creative Everyone

We’ve just been having a play with Creative Everyone, which is a corker of site, put together by Daniel Howells from Kulor, and Mike Sullivan from Mister. The tagline of the site is ‘Never miss a creative event again’, which sums it up pretty neatly. The site is a collaborative diary of creative events, ranging across the full spectrum of creative disciplines; you can filter the listings according to your own tastes, and also according to your local city. You can add in events you’re planning on going to yourself, see which other site members are going, and export your calendar to Google and iCal.

The design is really elegant and intuitive – at the moment it’s still in Beta phase, and just limited to some major US and UK cities (Boston, Los Angeles, New York and San Francisco / Edinburgh, Glasgow, Liverpool, London, Manchester), but the boys are promising to do much more when they get the chance. We’d love to see it properly hooked up to Facebook, and to have a customisable alert system, so that you get warned when exhibitions are starting and ending. But we can already see this being a really useful site. Ace.

The Art of War

We were doing a bit of research this morning, and stumbled across a really fantastic archive of wartime poster art and illustration, courtesy of the National Archives’ Art of War online exhibition. There’s a wealth of beautiful stuff on display, featuring a lot of original artwork, including Patrick Keely’s 1940s Road Safety poster (above), a Carless Talk Costs Lives poster by Reeves (below left), and Reginald Mount’s Hawker Hurricane poster (below right).

That then reminded us to post about (and order our own copy of) Paul Rennie’s rather lovely book Modern British Posters, published recently by Black Dog Press, which features a vast range of 20th Century British posters, including the three below.

Mmmm. Posters.

Google: more is less

Google’s homepage has gone all pictorial this morning, with a full-bleed image cluttering up their normally pristine page. You can change the picture, choosing from a range of pre-selected shots (including shots of work by Dale Chihuly, Jeff Koons, Tom Otterness, Polly Apfelbaum, Kengo Kuma (隈研吾), Kwon, Ki-soo (권기수) and Tord Boontje, as well as shots from Yann Arthus-Bertrand and National Geographic.

You can stick in your own images too (that’s one of ours above), choose one from a public gallery, or set it to a single colour (as below), or even back to white (which is actually quite elegant, leaving a shadowed logo, rather than the usual mulitcoloured one).

Except if you’re using Safari, which isn’t playing along at all, just showing the classic Google homepage. Wonder if that’s a tech issue or just a low-level skirmish in the browser wars…

And frankly, as Safari users, we’re happy with the standard page: we don’t want our search window to be anything other than a search window. Less, as ever, is more.

We Made This elsewhere

Wmt_facebook

  

We Made This is pretty much an old-school affair, focusing on printed stuff rather than digital stuff. But we dip our toe into the pixelworld now and again; so we figured it might be time to let you know that you can find us on Facebook and Twitter.

The Facebook page slurps up all the content from this blog, so it's really just a different place to keep an eye on what we're doing. But if you'd like to become a fan, we'd be deeply honoured. (There's also a gallery of some of our work on there for your browsing pleasure.)  

Wmt_twitter
 

The Twitter page features Alistair's varied musings (we make no guarantee of their wisdom or even coherence), as well as showing when we've posted new content on here. (We've got a feeling that there's a way of setting it up on some sort of infinite loop, with the blog feeding the twitter feed feeding the blog feed, ad infinitum. So far we've avoided it, but it's only a matter of time.)

Do come and say howdy.

We Made This Facebook page

@alistairhall Twitter page

Recycled papers

The folks at Arjowiggins got in touch to show us this little video*, which is part of a campaign they're running, pushing their environmentally friendly stocks. 

It put us in mind of a post we ran a couple of years ago about recycled papers, which then made us check out the Lovely as a Tree site, which is perhaps the most useful place to visit, especially as it's been updated fairly recently, and has a comprehensive list of the different recycled papers available.

Interesting to note that Lovely as a Tree also shows you where the papers are manufactured, so you can make sure that you're not mistakenly shipping your stock for an A5 leaflet half way round the world first.

Paperback still seem to be leading the pack when it comes to supplying truly environmentally friendly papers.

*Flatulence is nearly always funny isn't it?

Grafik launch their website

Grafik

Grafik (the UK based graphic design magazine) has just launched its website, beautifully and elegantly designed by our studio-mates Fitzroy and Finn. The site is divided up into a blog, a talent section, a profile section, and an archive of all the old issues.

Flipping addictive

Adobe_flip

Okay, so cast your mind back to when you were, oh, say seven or eight. Remember how on the last few days of term at school you'd basically do no work, and mainly just played board games?

Nothing's changed.

It's so very nearly Christmas, and all across the land designers and project managers are desperately searching for ways to while away those last few hours before the next Christmas party. And heck, here come Adobe, riding in like some kind of well designed fairy godmother. 

They've created a disgustingly addictive online game in the form of Air Flip. It's showcasing their new Air technology, which lets people create cloud apps, but that's largely irrelevant. The fact is, this sucker will eat up all of your remaining hours till it's stocking time.

Give it a go. You won't regret it.

(Well, not immediately.)

7thsyndikate: the whole story

Regular readers of this blog will know that we've been mixed up in a fantastically engaging online campaign by a group called 7thSyndikate

We were initially sent an email from them at the beginning of September: 
"Don't turn away from your screen; they may already be watching. We like your type. You came to our attention while demonstrating your observational skills in finding what you need inside zone six, as well as having contacts further a field. In the next couple of days someone from our organisation will be in contact. If you don't hear from us by then, destroy all evidence of our correspondence. For now, it doesn't matter who we are, suffice to say we're a state-funded organisation interested in your skills."

It had the URL www.7thsyndikate.org in the footer, which revealed the following web page:

7thsyndikate1

The page had a hidden link on the word 'bright', which opened up a new window:
7thsyndikate2

And so, the game was afoot. 

A series of cryptic emails arrived in the following days, including one which said:

"Place the following message in a public communication to your comrades – dim3 ak7ion – this communication is sensitive, but shouldn't place you in direct danger."

This led us to make this post which then led to another email saying that we'd been activated as an agent, with the code-name TrouinVI-302. There were a few more online hoops to jump through, and one offline one, where a classified ad was placed in the London Lite newspaper:

7thsyndikate

The phone number led to a strange voicemail with heavy breathing and a protracted scream, but that was a bit of a red herring, as the text 'B1-Lancer' was a password to the next area of the website. You were then asked to find images tagged with your agent name on a selection of photo sharing websites, and these images were tagged with URLs of Google maps, indicating a secret rendezvous for all the agents, in the vicinity of the Albert Memorial.

Albert_memorial

Agents were asked to turn up in shades and a hat, carrying a newspaper under their arm; and to wait for a man in a bowler hat, a tan mac and dark shoes. They were then to follow his every move.

So at this point, we were thinking, well, it's been fun, but what's going to happen now that we're switching to the real world? There was a lot of online chatter about who was behind the campaign, and after a little careful digging we worked out who was behind it all. 

So we turned up, along with a gang* of 30 or so other bloggers, all looking a tad perplexed in shades and hats. After a brief while, the mysterious man showed up.

7thsyndikate3

He led the group (at a brisk pace) on a brief walkabout through the streets of Kensington, eventually arriving at an imposing front door:

7thsyndikate4

And so, the masterminds behind the game were revealed – the V&A.

The whole thing was a rather brilliant word-of-mouth campaign, or alternate reality game, from the folks at 1000 Heads, who'd been working for the V&A to drum up a bit of noise about their new Cold War Modern show (we'll be adding to that noise ourselves very shortly). 

It's the first time the V&A has done something like this, so we expect they were feeling more than a tad nervous about how it might turn out. We thoroughly enjoyed the whole thing, which pulled in bloggers and got them playing on a dedicated site, on Twitter, on Facebook, on Google maps, on Flickr, and a host of other places; and it felt like it fitted in perfectly with the style of the exhibition.

Top notch.

Read all about it at the 7thSyndikate site.
 
*What is the collective noun for a group of bloggers? A fodder? A post? A smug? Or perhaps an obsession?

Attack of the Incredible Movie Title Screens!

Shillpages  

How tasty are these? 

They're from Steven Hill's rather spectacular online collection of movie title screens. He's compiled a catalogue of over five thousand different titles, and they're a brilliant record of typographic stylings through the years. Definitely worth a browse. 

via ffffound